Another 9 1/2 Weeks

OHH.

OHH.

OHH.

DON'T MOVE.

JOHN?

MAY I REST NOW?

UH, IT'S OPEN.

I'M SORRY.

I, UH, ORDERED YOU SOME BREAKFAST.

I HAVE TO GO.

WILL THAT BE CASH OR CHARGE?

SHOULD I LEAVE YOU MY NUMBER?

BY THE WAY,

WHO'S ELIZABETH?

LAST NIGHT, YOU CALLED ME ELIZABETH.

WOULD YOU PLEASE COME BACK

WHEN I COUNT TO 50?

1...

2...

3...

4...

5...

6...

7...

Stewardess: MONSIEUR GRAY? SIR?

MONSIEUR GRAY?

MONSIEUR GRAY?

WE'RE GOING TO BE LANDING SOON IN PARIS.

MR. GRAY.

A PLEASURE TO HAVE YOU BACK AT THE RAPHAEL HOTEL WITH US.

THANK YOU, PIERRE. YOU LOOK TERRIFIC.

THANK YOU, SIR.

OH, MR. GRAY.

HEY, BONJOUR, CHARLES.

YOUR SUITE.

UHH.

AND NO CALL FOR YOU?

NO ONE KNOWS I'M HERE.

ALL RIGHT, SIR.

OH.

JE SUIS CONFUSE.

EXCUSEZ MOI. MERCI BEAUCOUP, MONSIEUR.

HE'S HERE.

NO ONE KNOWS I'M HERE, HUH?

ELIZABETH.

Auctioneer: AND NOW UNDER LOT 12,

WE ARE PRESENTING L'ATTENTE,

ONE OF THE FINEST PIECES

IN THE COLLECTION OF ELIZABETH McGRAW.

AND FOR THIS LOT,

WE HAVE A BID OF 600,000 TO START WITH.

AT 600,000, 600,000?

AT 600,000. 650,000?

IN THE LEFT OF THE ROOM AT 650--

700,000. AT 700,000.

STILL AT THE BACK OF THE ROOM.

700,000. DO I HAVE 8--

YES, 800,000.

ANY ADVANCE ON 800,000?

ONCE. TWICE.

SOLD!

THE GENTLEMAN STANDING IN THE BACK OF THE ROOM.

PERSONNAGE AUX MAINS LEVéES BY RECONDO,

ALSO FROM THE McGRAW COLLECTION.

I'LL START THE BIDDING AT 400,000 FRANCS.

AT 400,000 FRANCS? AT 400,000.

I HAVE 450,000. AT 450,000.

500,000? AT 500,000.

I HAVE 550,000. DO I HAVE 6? DO I HAVE 600?

DO I HAVE 600? AT 600,000.

650. 700,000.

AT 750,000. SOLD!

PERSONNAGE EN YORK ALSO BY RECONDO.

I WILL START THE BIDDING AT 600,000.

DO I HAVE 7? 8? 800.

9. 1 MILLION FRANCS.

1 MILLION FRANCS.

ONCE. TWICE.

SOLD! 1 MILLION FRANCS.

FEMALE AU BLANC, ALSO BY RECONDO.

I'LL HAVE 600,000.

DO I HAVE 7? I HAVE 7.

8? 801,000.

9?700,000.

SOLD!50,000.

1 MILLION, 1 HUNDRED.

750,000. 800,000.

IT STILL BUYS FOR 600,000.

GONE.SOLD!

THIS WAS THE FIFTH AND LAST RECONDO PASTEL

FROM THE McGRAW COLLECTION

SOLD TO THE GENTLEMAN STANDING IN THE BACK.

CONGRATULATIONS, SIR. YOU HAVE THEM ALL.

EXCUSE ME.

I DON'T MEAN, UH...

TO BE RUDE. UH...

BUT IT'S JUST, UH, THE SCARF THAT YOU'RE WEARING, IT'S--

MM-HMM.

IT'S EXACTLY LIKE, UH...

A GIFT I GAVE A FRIEND A LONG TIME AGO IN NEW YORK.

ELIZABETH McGRAW?

YOU'RE RIGHT. IT'S HER SCARF.

WHAT'S YOUR NAME?

JOHN. JOHN GRAY.

GRAY.

YES.

ELIZABETH ACTUALLY GAVE THIS TO ME

RIGHT AFTER WE FIRST MET.

SHE KNEW I LIKED IT, SO SHE GAVE IT TO ME.

YOU KNOW ELIZABETH-- SO IMPULSIVE.

JOHN GRAY.

I PICTURED YOU VERY DIFFERENT, JOHN GRAY.

HEY, CALL ME JOHN. IT'S EASIER.

LEA. CALLOT.

LEA CALLOT.

MY ASSISTANT CLAIRE.

BONJOUR.

OK.

GOOD. BONJOUR.

WHAT ARE YOU DOING IN PARIS?

I WAS JUST CURIOUS AFTER ALL THESE YEARS TO SEE WHY...

ELIZABETH WAS SELLING HER COLLECTION.

I'D SAY THAT'S A LITTLE MORE THAN CURIOUS

TO COME ALL THE WAY TO PARIS.

I WAS REALLY HOPING SHE'D BE HERE.

WHY?

I WANTED TO SPEAK WITH HER.

SHE DIDN'T TELL ME YOU COLLECTED.

YOU BUY MUCH ART?

I REALLY NEED TO TALK TO HER.

DO YOU THINK YOU CAN HELP ME?

ELIZABETH HAS SUCH A GREAT EYE.

CALL ME IN THE MORNING.

WE'LL GET TOGETHER.

YOU KNOW, I WAS THINKING, PEOPLE...

USUALLY DON'T SELL WHAT THEY VALUE MOST.

YOU SHOULD KNOW.

HMM.

YOU'RE A VERY LUCKY MAN, JOHN GRAY.

THEY'RE FABULOUS PAINTINGS.

Receptionist: ALLO. OUI? BONJOUR.

UH, HELLO.

COULD I PLEASE SPEAK TO, UH, LEA CALLOT?

UN INSTANTE, S'IL VOUS PLAIT.

HELLO?

Receptionist: OUI? BONJOUR.

YEAH, LEA CALLOT, PLEASE.

YOUR NAME, MONSIEUR?JOHN GRAY.

OK, COULD YOU TELL HER THAT, UM...

I'M STAYING AT THE RAPHAEL.

THAT'S GRAY. JOHN GRAY.

OF COURSE, MONSIEUR.

I'M LATE. I MUST GO. I MUST GO.

OH.

YOU ARE LOOKING FOR LEA. HMM?

THIS IS CHARLIE. THIS IS JOHN.

YEAH.

YOU COME WITH ME.

I WAS HAVING A QUICK LUNCH.

YOU KNOW, I LIVE HERE, AND I WORK HERE.

THAT'S COOL.

I'M REALLY SORRY.

I DIDN'T, UH, MEAN TO INTERRUPT YOU AND CHARLIE.

C'EST PAS GRAVE.

BONJOUR, CLAIRE.

BONJOUR, NATALIE. CA VA?

IL VA BIEN CE COULEUR SUR TOI.

OUI. COMME TOUJOURS TU M'AS CHOISI LA PLUS BELLE.

LE MEILLEUR POU TOI, MON AMOUR.

VAS-Y.

EXCUSE ME, SIR.

WE'RE GOING IN.

OK.

MERCI. CIAO.

OK, STOP THE MUSIC A SECOND.

STOP THE MUSIC.

WHO'S NEXT?

UH, NATASHA, BUT SHE'S LATE.

I NEVER LIKED HER.

HER WALK, HER STRIDE. SHE'S FAR TOO VULGAR.

SHE LOOKS LIKE A HORSE.

A CARTHORSE, NOT A RACEHORSE, DARLING.

SHE'S JUST WHAT WE NEED FOR THE SHOW.

OK, GRETHA, LET'S GO.

HOW ARE YOU? TRES BIEN?

AH, FRANCOISE.

YOU'RE LOOKING WONDERFUL, DARLING.

HOW CAN I TELL? WELL, I'M TELEPATHIC.

EXCELLENT. MAKE SURE YOU DON'T PULL IT OUT, THOUGH.

EXCELLENT. OK.

BON. CINQ MINUTES?

OK, CINQ MINUTES, TOUT LE MONDE.

LEA, LES MANCHES NE VONT PAS. REGARDE.

ALLORS, FAIS COMME CA.

MERCI, MARCEL.

WHY DON'T WE GO INTO MY OFFICE?

JOHN GRAY.

WHAT TOOK YOU SO LONG?

SERIOUSLY, YOU SHOULD HAVE CALLED FIRST.

NOW MY DAY IS TOTALLY JAMMED UP