Wonder Woman

Wonder Woman

Wonder Woman

All the world is waiting for you

And the power you possess

In your satin tights

Fighting for your rights

And the old red, white and blue

Wonder Woman

Wonder Woman

Now the world is ready for you

And the wonders you can do

Make a hawk a dove

Stop a war with love

Make a liar tell the truth

Wonder Woman

Get us out from under

Wonder Woman

All our hopes are pinned upon you

And the magic that you do

Stop a bullet cold

Make the Axis fold

Change their minds And change the world!

Wonder Woman

Wonder Woman

You're a wonder

Wonder Woman

- Good? Exciting, realistic. - Extremely.

That's exactly how we're gonna treat this new movie:

maximum realism, top-drawer production value.

- It'll be a smash, Mr. Bremer. - Thank you.

And all the box-office receipts go to buy war bonds.

So, General? Major?

What do you say?

I have to admit, I had my doubts

when you first suggested this project, Mr. Bremer...

- But you've won me over completely. - And me.

Me, too. Just think, Hollywood.

Then it's a go.

As far as the War Department is concerned, Mr. Bremer, yes, it's a go.

All right.

A movie like you're going to make will be an enormous morale booster.

Four top American heroes recreating their acts of bravery on the screen.

You know, we're still hoping, Major, that your personal story

is gonna be part of the movie.

- That's up to the General. - But he's got to be in the movie.

Steve bringing that flaming plane in and saving his crew.

- That'll be something to see. - You're absolutely right, Yeoman Prince.

How soon do you need the Major in Hollywood, Mr. Bremer?

As soon as possible. Can you leave tomorrow?

- Well... - He sure can.

Can you be ready to go, Diana?

- But do you need me in Hollywood? - I like that.

Every beautiful young woman in these United States

would give her right arm to go to Hollywood.

And you ask if you're needed there.

I don't understand what's so special about Hollywood.

It's just a small suburb in Los Angeles, isn't it?

Diana, sometimes I don't understand you.

Why?

Hollywood, Clark Gable, Cary Grant...

Tyrone Power. Paradise, USA.

- Paradise? - Absolutely.

In that case, how can I refuse? I mean...

I feel in need of a trip to paradise about now.

And the festival will run a full three days.

Now, we'll need a queen of the festival,

bearing in mind that I cannot fulfill that function under our constitution.

It should be Diana, of course.

Daughter, I only wish it could be so. It would be fitting.

Mother, this is the 2,000th anniversary of our arrival on Paradise Island.

It's the bimillennial celebration of the most important day in our history.

Diana is heir to the throne. Diana has to be here.

I agree with you. She should be here.

Then I guess someone will just have to go to America

and bring her home for the festival.

Did you have anyone special in mind for that assignment?

Not really, except that it should be someone

who has been to America already, and someone who is very close to Diana.

- Now where could I find such a person? - Mother.

Very well, Drusilla. Go fetch your sister.

Thank you, Mother.

Remember she said she was staying in a place called Hollywood.

Drusilla, just give her the message and then come right back home.

I don't want both my daughters in America in such perilous times.

Drusilla!

It just occurred to me, the last time you were in America...

I'll tell Diana, and thanks, Mom.

Oh, dear, I do hope I'm not making a mistake.

Mom?

- Good morning. - Good morning, Mr. Bremer.

- This is really fantastic. - Terrific, isn't it?

First day of production, we're an hour behind schedule.

Excuse me.

All right, come on. Let's get moving. Let's get this show on the road.

All right, what are we waiting for? Let's get going. Okay, then, roll it.

All right. Give me the special effects.

All right, now. Start the wind. Come on, more wind. Give me a bigger wind.

All right. That's good.

Now, then. Ready? Action.

Hit the silk, Bill. That's an order, Lieutenant.

I'm taking her in alone.

Cut it! What's going on with the key light?

Come on, fellas.

Yeoman Prince, would you kindly not lean against the light?

All right, once more.

Just stay where you are, Steve, we got to do it again.

Sweat him up, will you, please?

Man, oh, man. I got it.

- You got what? - Her autograph.

- Who's she? - Who's she? She's a star!

Go on, I know where the stars exist. They're in the heavens.

- You're weird. - I'm weird?

Sure you are. Like, what kind of a getup is that?

Getup?

The clothes, dummy, the clothes. Unless...

Hey, you're in pictures.

Yeah, lots of them. My mother has a book...

I knew it! I knew it. You were trying to put me on.

Can I have your autograph?

You there, miss. They'll be waiting for you.

They will?

Certainly. You're in The Fall of the Greek Empire, right?

Come along through this door. Go through Western Street...

I'm certainly looking forward to working with you.

- Thank you. - Welcome aboard.

Diana.

This is Cpl. Jim Ames.

Jim, this is Yeoman Diana Prince.

Nice to meet you. I've heard about you.

You're one of the war heroes who'll be in Mr. Bremer's film.

Yes, ma'am.

Jim is another future star of mine.

Come here.

Here you are. Your very own chair.

That's terrific.

Go on, sit down. Enjoy yourself.

- Mr. Bremer? - Yeah.

I still don't know if I'm gonna be able to act in front of the camera.

Sure you will. Just be yourself.

See you later. Hey, Michael!

Jim, come on. Sit down, relax.

I sure hope he knows what he's talking about.

I'm sure he does.

I've never been so scared in all my life.

You'll be fine.

Diana. Can you come here a minute, please?

Sure. Excuse me. You'll be great. I promise.

Yes, sir.

I'm stuck up here in the sky.

Can you get us a couple of cups of coffee, black, please?

Sure. There's some just out back of the stage.

- It'll take a few minutes. - Thank you.

Cpl. Ames!

Hello again, Diana.

Diana!

Dru!

You stay here. I'll handle this.

Drusilla, look out!

You're all right.

I'll be right back.

Are you all right?

What happened?

I think someone was trying to kidnap you.

I thought that...

Wonder Woman.

- Boy, do I feel woozy. - Here, let me help you up.

Oh, excuse me.

Cpl. Ames, this is my little sister, Drusilla.

Drusilla, Jim Ames.

Hello.

Too many things are all happening at once.

Do you have any idea who those men were or what they wanted?

Not the foggiest.

I think I'd better go sit down.

- I'm not feeling too well. - I can understand. Are you all right?

Oh, yeah.

Drusilla, what are you doing here?

You know, the bimillennial celebration.

Mother sent me to make sure that you'll come.

Yes, of course. I haven't forgotten.

You can tell Mother that I'll make every effort to be there.

That won't satisfy her. You know Mother. Diana, you have to be there.

I'll try, Drusilla, I'll really try.

It's just that I'm very concerned. There are strange things going on here.

You mean the attack on that nice Jim Ames?

Yes. You like him?

Yeah, he's cute.

Cute? You're in America for a few hours and you're already using their slang.

- Well, he is cute. - Yes, he is.

Is that what you're worried about?

No, I'm concerned that someone might be trying to sabotage this film project.

- Who? - I have no idea.

A rival studio, maybe.

I've heard a lot of things about Hollywood.

People call it a jungle.

All I saw was half a dozen sad-looking palm trees, hardly a jungle.

Dru, it's not that kind of jungle.

It's a jungle where businessmen prey on each other.

Never will understand men.

Me neither. But I'm certainly learning more each day.