أول 200 سطر.
Sacred tattoos.
These are primeval symbols that speak to something in us
that’s very deep-seated and very universal.
Severe body modifications.
The tribespeople
sharpen the edges of their teeth
to look like serpents.
Extreme adornments.
Girls in the Kayan culture stretched out their necks
with brass rings to emulate their sacred ancestor.
Could these metamorphic alterations of the flesh
represent more than mere self-expression
or even acts of religious tribute?
Might they contain a message
critical to the future of mankind?
The reason why they did this to their bodies
is in order to gain the strength of the gods
that they tried to imitate.
We now have technology
that is equal to what we see
the gods using in these ancient stories.
Maybe now we’re gonna be able to turn ourselves into a species
just like the gods.
There is a doorway
in the universe.
Beyond it is the promise of truth.
It demands we question everything
we have ever been taught.
The evidence is all around us.
The future is right before our eyes.
We are not alone.
We have never been alone.
Tattooed and pierced Italian fashion model
Cristian Mignemi makes a bold and permanent decision
to transform the sclera, or whites of his eyes,
into black.
He claims he wants to appear more otherworldly.
Cristian Mignemi
is a very forward-thinking person in fashion,
by choosing to go to the extreme
of coloring his eyes completely black,
looking almost alien-like.
This is a trend happening across the board.
Body modifications,
tattooing, piercing,
all types of adornments to change
the physical appearance of our bodies.
It’s almost as if humanity, in a fashion sense,
is gearing themselves to look more alien.
People feel liberated
by the idea that they can appear
extrahuman in some way.
They can look like something extraterrestrial
or they can look like something primeval.
There’s something self-dramatizing
and empowering about it.
Today, tattoos and piercings
account for a nearly $1 billion industry.
Trending modification practices
like ear elongation and branding the skin
are all on the rise.
But what could motivate someone to alter their body
in such a way?
The way we adorn our bodies
is essentially telling a story and sending messages.
The fact that more and more people
are expressing themselves through body art,
it tells a bigger story on a cultural level.
Now that we’re so connected through the Internet,
it’s easy to find inspiration from others
and what other people are doing in body art practices.
Symbols communicate things
that we’re not quite able to put into words.
It goes beyond just wanting to make a statement
about one’s individuality.
It demonstrates what you believe in.
While tattoos, piercings
and body modification
are modern forms of personal expression,
they also hearken back to humanity’s ancient past
and mirror the practices
of many so-called primitive tribes that exist
around the world today.
A lot of what we do finds inspiration
in ancient roots from all over the world.
These are things that we’ve seen on, say,
like, National Geographic
and books and on TV over the years.
And they’ve inspired newer forms
of body modification and body art expression.
Rites of passage,
like skin stretching,
have been seen throughout history
in different parts of the world.
The revered Buddha,
the Dayak of Borneo,
the ancient Rapa Nui of Easter Island
and the modern Fulani tribe of West Africa
all have colorful histories of ritual ear stretching.
The contemporary Mursi women of Ethiopia,
tribes of the Amazon
and the earlier Botocudo people of coastal Brazil
all share a history of skin stretching
for decorative lip plates.
But are these practices being adopted by mainstream society
simply as a fashion trend,
a bold form of self-expression?
Or could it be motivated by a profound link
to our ancient past?
When people have tattoos,
it’s something meaningful.
And so my question is not, today,
why do we tattoo ourselves?
I ask the question,
when did we first tattoo ourselves, and then why?
September 9, 1991.
11,000 feet high in the Otztal Alps.
Two German climbers near the Austrian-Italian border
happen upon a frozen corpse.
Scientists call him the Tyrolean Iceman, or Otzi,
and place his time of death
between 3400 and 3100 BC.
What we find so amazing about Otzi,
he’s very well preserved.
So well preserved
that scientists and anthropologists can even tell
that he had a lot of medical conditions.
And that leads us to Otzi’s tattoos.
In 2015,
more than two decades after the initial discovery,
scientists were able to make a more detailed scan
of the Iceman’s epidermis.
The results were extraordinary.
Under examination,
it was found that Otzi the Iceman
had, in fact, 61 different tattoos over his body,
and almost all of these took the form of parallel lines,
either two together, three together.
In one case, seven together.
These tattoos, it’s amazing.
They are actually located on acupuncture points
throughout the body.
Most of them are on the joints, the lower back,
the thoracic area, the chest.
And what that tells us is he had some knowledge of healing.
Acupuncture is a traditional form of Chinese medicine
involving the pricking of the skin with needles
along the body’s neurohormonal meridians
to alleviate pain and treat various medical conditions.
Traditional historians place the origin of acupuncture in China
at approximately 100 BC.
Acupuncture did not exist as a formal system
of therapeutic treatment in China, uh,
at the time that Otzi received his tattoos
on the other side of the globe.
So, where did Otzi get these tattoos
that were made with the knowledge
of acupuncture points on the body?
We think acupuncture’s from China,
but here’s something even older and from the Alps.
The fact that we find these tattoos
at specific meridian points tells us
that this civilization knew
of the meridians in the body,
understood how energy runs in the body,
which is quite an advanced process for that time.
So, where did this knowledge come from?
Is it possible that it came
from some kind of higher source,
downloaded into the healers of the time?
Is it possible that acupuncture
is really coming from extraterrestrials?
Could the Tyrolean Iceman
point to the possibility that tattooing originated
as a result of contact with extraterrestrial visitors?
While it may sound far-fetched,
ancient astronaut theorists suggest
that some of the most popular tattoos
found in both the ancient and modern world
contain symbolism connected to the cosmos.
Some of the earliest yearnings
of our ancient ancestors
was to recognize and connect themselves
to the cosmos, to the movement of celestial objects,
to the cycles of the seasons.
In modern tattoo art,
we’re not only seeing a proliferation
of celestial images,
whether the Sun, the stars,
the phases of the Moon, astrological symbols,
but we’re also starting to see E.T. images.
These are primeval symbols that speak to something in us
that’s very deep-seated and very universal.
Tattooing or body modification can be a way
of remembering one’s ancestors,
remembering one’s connection with the cosmos.
A yearning to connect with the cosmos
is perhaps as old as civilization itself.
And ancient astronaut theorists suggest
that tattoos represent far more than merely
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